Edmundo O ́Gorman: The glow of artistic monstrosity
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Abstract
This article presents the reflections the Mexican historian Edmundo O’Gorman wrote in 1940 about the artistic monstrosity as an epistemological basis for establishing a dialogue with the art world of the ancient Mexicans and art in general. It is observed that the formulations of the author of The Invention of America are contemporary with Russian author Mijail Bajtin and which deal with the same subject. Both are pioneers, however, the first organized his arguments in a few pages from a theoretical perspective that has many followers today. In this paper other claims from various authors are considered regarding this deep dimension of the human which only art is capable of expressing.
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